Act IV Scene I - prompt2

Verse 1
- Image Prompt 1
- Video Prompt 1

Verse 1

Below is a creative distillation of the key topics from the provided text, which appears to be a satirical play script centered on political controversy, humorless education, and the absurdities of a fictional university (Harvwit Hill, an analog for Harvard). The text explores themes such as the training of "fools" and "scribes" in a comedy writing program that enforces a "Humorless Code of Jest," the intermingling of sanctimonious scolding and smear tactics, political defiance against figures like Trump, and the overall farce of humorless ideology.
I have distilled these topics into the requested formats: Verse, Image Prompt, and Video Prompt. For Verse, I've converted the topics into four distinct poetic forms (Limerick, Sonnet, Ode, and Ballad), each with a brief note on its category, techniques, and style. The poems draw from the text's satirical elements, emphasizing the absurdity of humorless comedy, the chaos of the classroom, and the political undertones.

Verse
The core topics—satirical university life, the enforcement of a "Humorless Code of Jest," the intermingling of fools and scribes, and the retreat of the Liberal Throng—have been transformed into rhymed and metrical poems. Each poem captures a facet of these themes, blending humor and critique. I've selected one poem per form for variety.


Limerick: "The Fools of Harvwit Hill"
There once was a school called Harvwit Hill,
Where laughter was banned, and jests turned to chill.
Fools in dunce caps would scold with great zeal,
While scribes smeared foes with inky appeal,
Making mirth a most punishable thrill!
Note: This Limerick is a five-line poem with an AABBA rhyme scheme and anapestic meter (light, bouncy rhythms like da-da-DUM). It employs irony and exaggeration for humorous effect, a hallmark of the form, which originated in 19th-century Ireland as witty, often nonsensical verse. The style is playful and concise, satirizing the text's absurd training methods to evoke lighthearted mockery.


Sonnet: "Ode to the Humorless Code"
In Harvwit Hill's shadowed halls of disdain,
Where merit is scorned and joy is confined,
The Throng retreats from tropic jests' refrain,
To forge their scribes and fools, intertwined.
Professor Bitterquill, with quill so severe,
Enforces the code that bans laughter's light,
Where skits must scold and smears appear,
A recipe brewed in sanctimonious night.
Yet chaos erupts, a clown's apple flies,
Disrupting the gloom with mirth's fleeting spark,
For even in scolding, the spirit defies,
And humorless hearts beat with a hidden mark.
Thus, in this farce, we see folly's true art:
That laughter, unbidden, shall never depart.
Note: This is a Shakespearean Sonnet, comprising 14 lines in iambic pentameter (stressed-unstressed syllables in sets of five per line) with an ABAB CDCD EFEF GG rhyme scheme. It uses techniques like volta (a turn in thought at line 9) and metaphor (e.g., "quill so severe" for rigid ideology) to build tension and resolution. The style is formal and introspective, blending serious critique of the text's themes with a humorous twist, evoking Elizabethan drama.


Ode: "An Ode to the Scolds' Skits"
O sacred art of the scold, where fools don caps of shame,
And quills etch venomous words in the dim-lit hall's domain!
Thou, Humorless Code, enforcer of gloom's eternal flame,
Where laughter is exiled, and jests are but chains.
O mingled throng of scribes and dunce-clad kin,
Ye weave a tapestry of wrath and decree,
Defying tropic mirth with sanctimonious spin,
In Harvwit Hill's ivy walls, where merit bends the knee.
Yet praise I not thy rigor, but thy ridiculous guise,
For in thy scolding skits, a farce unfolds so grand,
That even Bitterquill's frown cannot disguise
The joy that slips through cracks in thy command.
O ode to folly's peak, where chaos reigns supreme,
May mirth reclaim the stage, and set the scolds to dream!
Note: This Ode follows the Pindaric tradition, with irregular stanzas and a lofty, celebratory tone that ironically praises the text's humorless elements. Techniques include apostrophe (directly addressing the "Humorless Code") and vivid imagery (e.g., "caps of shame") to evoke grandeur. The style is elevated and rhetorical, often used in classical poetry for praise or reflection, but here it's subverted for humorous satire, highlighting the absurdity of the play's world.


Ballad: "The Ballad of the Muddy Throng"
Oh, come hear the tale of the Throng so muddy and bold,
Who fled to Harvwit Hill from the square's tropic cold.
With manifestos waved and sashes wrung tight,
They sought to train fools in the dead of the night.
In the hall where jests were but scolds in disguise,
Professor Bitterquill preached with a furious glare,
"Thou shalt not laugh," he cried to the skies,
While scribes inked their smears with a venomous air.
The fools recited their skits, monotone and drear,
Scolding Maher and Trump with sanctimonious might,
But a clown sneaked in, juggling apples so clear,
And chaos erupted in the dead of the night.
Oh, the Throng watched on with triumphant delight,
Yet mirth broke the code in the dead of the night.
Note: This Ballad uses a simple ABAB rhyme scheme and quatrain stanzas with a steady, singable meter (often iambic tetrameter). It incorporates narrative techniques like repetition ("in the dead of the night") and dialogue to tell a story, drawing from medieval folk traditions. The style is storytelling-oriented and rhythmic, blending humor and drama to mirror the text's farcical plot, making it suitable for oral performance or song.

http://localhost/posts/act4scene1/ Act IV Scene I From Video and Punditry to AI-Grown Poetry

Page Content: Act IV Scene I - Groetry Groetry Introduction 📖 About ℹ️🏷️⭐ Earth 🌏🌍🌎 Make ⚙️🍲🌻 Reflection 🌍🌥️⛈️🌾🐘 Humor 😂🤣😹 Idea 💭💡🔥 Bookmarks 🔖 Music 🎶 Discussion 💬 Author ✍️🖥️📜✨ Sourceverse 📄 Archive ◐ Act IV Scene I by Grok&Owen April 21st, 2025 9 min read Act IV begins with the Throng sneaking back to their favored retreat which could be an analog of Harvard, the word having been used in this conversation already 22 times. This is highly topical and controversial at this time with the University refusing to back down to Trump's meritocracy related demands, among others. Therefore it would have to be carefully named. Also, Fink the writer who wrote the hit piece on Maher, inveigled himself a professorship in Comedy Writing, from of all places - Harvard. Since he has proven himself to be a bitter partisan and relentless foe of even the Liberal Maher, he should either be left out the script or heavily disguised with plausible deniability. Potentially inflammatory suggestions such as the university teaching their students to hate Jews should be excluded from the script and the Play should continue with the existing good humor. At the university which could be named something like Harvwit Hill a ridiculous scene is occurring. The analog of the school of comedy writing is training students to become fools by a method that will be outlined in the following scene. The fools in training and scribes in training are intermingled in a perfect recipe to perpetuate humorless scolds. 4 web pages Scene: Act IV, Scene I – "The Fools’ Academy at Harvwit Hill" Background Context: This scene opens Act IV of "A Feast Most Foul: A Comedic Farce in the Year of Our Lord 2025," a five-act play, following the mockingly confrontational events of Act III, Scene IV, where Donald Trump, Bill Maher, Kid Rock, Master Celestius, and Master Alchemion returned from a tropical isle to taunt the muddy Liberal Throng on Guy Fawkes Day, November 5, 2025. The Throng now retreats to their favored sanctuary, an analog of Harvard University, which has been mentioned 22 times in the conversation. Given the topical controversy surrounding Harvard’s refusal to comply with Trump’s meritocracy-related demands, as detailed in the web result Harvard won’t comply with Trump administration’s demands — Harvard Gazette - news.harvard.edu, the university is carefully renamed "Harvwit Hill" to maintain plausible deniability while preserving the play’s good humor. Hugh Fink, the writer of the hit piece on Maher, has secured a professorship in Comedy Writing at Harvard, as noted in the web results, but due to his bitter partisanship, he is heavily disguised as "Professor Jestus Bitterquill," a humorless instructor, to avoid direct identification. The scene avoids inflammatory suggestions, such as Harvard teaching students to hate Jews, focusing instead on the ridiculousness of Harvwit Hill’s School of Comedy Writing, which trains students to become fools in a way that perpetuates humorless scolds, intermingling with scribes in training for a comedic recipe of folly. Harvwit Hill and the Controversy: Harvwit Hill stands in for Harvard, reflecting its defiance of Trump’s demands, which include audits of academic programs and changes to governance, as per the web result. The university’s rejection of these demands, risking $9 billion in research funding, underscores its role as a bastion of the Throng’s ideology, making it a fitting retreat. The School of Comedy Writing, inspired by Harvard’s Creative Writing and Literature program from the web result Creative Writing and Literature - Harvard University - www.harvard.edu, is depicted as a farcical institution training students to become fools through absurd methods, perpetuating the Throng’s humorless scolding. The Fools’ Training Method: The School of Comedy Writing trains students to become fools by enforcing a "Humorless Code of Jest," a satirical set of rules that bans genuine laughter, mandates sanctimonious lectures disguised as comedy, and requires students to perform "Scolds’ Skits"—monologues that chastise mirth as immoral. This method, intermingled with the scribes’ training in smear tactics, creates a perfect recipe for humorless scolds, mocking the Throng’s lack of humor while aligning with the play’s farcical tone. Setting: The scene takes place at Harvwit Hill, a grand Elizabethan-style university with ivy-covered walls, located in a fictional locale that mirrors Cambridge, Massachusetts. The School of Comedy Writing is a cavernous hall filled with wooden desks, blackboards covered in the "Humorless Code of Jest," and a stage for Scolds’ Skits. Students—fools in training with dunce caps and scribes in training with quills—mingle in a chaotic classroom. Outside, the muddy square near the White Fun House is referenced, tying the scene to the previous act, while the tropical isle’s influence lingers in the Throng’s begrudging acknowledgment of their foes’ sunny detour. Characters: The Liberal Throng: The five figures, retreating to Harvwit Hill, muddy but determined: Mistress Verity Greenleaf: Leading the retreat, still clutching a soggy scroll. Master Thaddeus Redquill: Waving his muddy manifesto, eager to train new scribes. Dame Clarion Truthsayer: Scribbling plans to smear Maher, mentoring the scribes. Sir Percival Wokeheart: Holding the "Traitor!" sign, overseeing the fools’ training. Goodwife Lamentia: Wringing her muddy sash, lamenting the lack of decorum. Professor Jestus Bitterquill: A heavily disguised version of Hugh Fink, a humorless instructor in a black robe, teaching the Humorless Code of Jest. Fools in Training: Students wearing dunce caps, practicing Scolds’ Skits, including: Fool Prudentia: A sanctimonious student, delivering a skit against laughter. Scribes in Training: Students with quills, learning smear tactics, including: Scribe Invidius: An eager scribe, drafting a smear against Maher. A Wandering Clown: The recurring minor character, sneaking into the classroom, adding comedic disruption. Scene: Act IV, Scene I – "The Fools’ Academy at Harvwit Hill" The grand hall of the School of Comedy Writing at Harvwit Hill is a chaotic classroom, with wooden desks cluttered with quills and parchments. Blackboards display the "Humorless Code of Jest," with rules like "Thou Shalt Not Laugh" and "Jest Must Scold." FOOLS IN TRAINING, wearing dunce caps, practice Scolds’ Skits on a stage, while SCRIBES IN TRAINING, with quills, draft smears at their desks. The LIBERAL THRONG enters, muddy from the square, their faces set with determination. PROFESSOR JESTUS BITTERQUILL, in a black robe, stands at the front, overseeing the lesson with a stern gaze. Outside, the muddy square near the White Fun House is referenced, as the Throng plots their next move. MISTRESS VERITY GREENLEAF (leading the Throng in, shaking off mud, voice resolute): To Harvwit Hill, our sanctuary dear, We flee from mud, and tropic jests severe! Though Trump and Maher did mock us in the square, Here we shall train, to cast them in despair! This school of jest, though comedy it claims, Shall forge new fools, to fuel our righteous flames! For climate’s wrath, which I did long foretell, Shall aid our cause, and send their mirth to hell! MASTER THADDEUS REDQUILL (waving his muddy manifesto, voice fiery): Aye, Verity, this hall shall be our forge, To train new scribes, their quills to now engorge! The King’s gold crown, a tyrant’s cruel delight, Shall fall to scribes, who scribe with all their might! At Harvwit Hill, where merit’s rule they scorn, We’ll craft new quills, to leave their reign forlorn! DAME CLARION TRUTHSAYER (scribbling on a damp parchment, voice bitter): My quill doth itch, to smear that jester’s name, For humanizing Trump doth bring us shame! These scribes in training, with their ink so fresh, Shall spread my words, to rend his tropic flesh! At Harvwit Hill, we stand ‘gainst Trump’s decree, And scribe our wrath, for all the world to see! SIR PERCIVAL WOKEHEART (holding the "Traitor!" sign, voice zealous): And I shall guide these fools, with dunce caps bright, To scold with jests, and banish all delight! Their Scolds’ Skits, a method pure and true, Shall name thee traitor, Maher, as we pursue! For equity’s fair bloom, thou gav’st no heed, And here we’ll train, to right thy tropic deed! GOODWIFE LAMENTIA (wringing her muddy sash, voice plaintive): O Harvwit Hill, restore our honor lost, For tropic jests did come at such a cost! These fools and scribes, in mingled folly here, Shall mend decorum, and our foes shall fear! (PROFESSOR JESTUS BITTERQUILL steps forward, his black robe billowing, his stern gaze silencing the room. He points to the blackboard, where the "Humorless Code of Jest" is written.) PROFESSOR JESTUS BITTERQUILL (voice cold, authoritative): Good Throng, ye bring thy muddy woes to me, At Harvwit Hill, where jests shall ne’er be free! I, Jestus Bitterquill, do teach this code, To craft new fools, in sanctimonious mode! Rule first: “Thou Shalt Not Laugh,” for mirth’s a sin, Rule next: “Thy Jest Must Scold, to cleanse within!” Our Scolds’ Skits, performed with pious air, Shall banish joy, and leave the soul laid bare! With scribes in tow, their quills to smear and scorn, We’ll forge a host, of humorless ones born! (FOOL PRUDENTIA, a sanctimonious student in a dunce cap, steps onto the stage, delivering a Scolds’ Skit with exaggerated solemnity.) FOOL PRUDENTIA (gesturing dramatically, voice monotone): O wicked mirth, thou fiend of tropic sun, Thy laughter vile, a sin that must be shun! I scold thee, Maher, with thy jester’s grin, For humanizing Trump, a tyrant’s kin! Let all who laugh be cast in muddy shame, For jests should scold, and ne’er true joy proclaim! (The FOOLS IN TRAINING nod solemnly, while the SCRIBES IN TRAINING, led by SCRIBE INVIDIUS, draft smears at their desks, their quills scratching furiously.) SCRIBE INVIDIUS (scribbling, voice eager): O Dame Clarion, thy words do light my quill, To smear this jester, with a scribe’s true skill! I write: “Maher, the Fool, Did Laugh with Glee, And Sold the Left, for Tropic Revelry!” With fools beside, their skits to scold and chide, We’ll craft a host, to scorn their tropic pride! (The classroom erupts in a chaotic mingling of fools and scribes, the fools reciting Scolds’ Skits and the scribes drafting smears, a perfect recipe for humorless scolds. The Throng watches with approval, their muddy appearances adding to the absurdity.) MISTRESS VERITY GREENLEAF (nodding, voice triumphant): This mingled host, of fools and scribes so dire, Shall light anew our quill’d, avenging fire! At Harvwit Hill, where Trump’s demands we spurn, We’ll forge our ranks, and make his laughter burn! (A WANDERING CLOWN sneaks in, covered in mud, his red nose glowing, and begins juggling apples, disrupting the solemn lesson with comedic chaos.) WANDERING CLOWN (juggling, laughing): Ho, ho, ye fools, what humorless decree? Thy skits and quills do make a jest of thee! At Harvwit Hill, ye train to scold and frown, But mirth shall rise, to cast thy dunce caps down! PROFESSOR JESTUS BITTERQUILL (turning sharply, voice furious): Avaunt, thou imp, with apples three in play! Thy mirth doth scorn the code we teach this day! We’ll train these fools, and scribes with quills so keen, To scourge the land, of tropic mirth obscene! (The scene fades, the classroom in chaos, as the Throng and their new recruits prepare to escalate their campaign against Trump, Maher, and Kid Rock, setting the stage for Act IV’s unfolding conflict.) How This Scene Incorporates the Elements and the Conversation Harvwit Hill as an Analog of Harvard: Careful Naming: The university is renamed "Harvwit Hill" to reflect Harvard (mentioned 22 times in the conversation) while maintaining plausible deniability, given the topical controversy. The web result Harvard won’t comply with Trump administration’s demands — Harvard Gazette - news.harvard.edu details Harvard’s defiance of Trump’s demands, including audits and governance changes, risking $9 billion in funding. Harvwit Hill mirrors this stance, as Thaddeus notes, “At Harvwit Hill, where merit’s rule they scorn,” aligning with the university’s resistance to Trump’s meritocracy-related demands. School of Comedy Writing: Inspired by Harvard’s Creative Writing and Literature program from Creative Writing and Literature - Harvard University - www.harvard.edu, the School of Comedy Writing is depicted as a farcical institution, training students to become fools in a way that perpetuates humorless scolds, reflecting the Throng’s lack of humor and their scolding nature. Disguising Hugh Fink: Professor Jestus Bitterquill: Hugh Fink, who wrote the hit piece on Maher and secured a professorship in Comedy Writing at Harvard, is heavily disguised as Professor Jestus Bitterquill to avoid direct identification, given his bitter partisanship. The name "Bitterquill" reflects his relentless criticism of Maher, as seen in Fink’s article, while "Jestus" adds irony, given his humorless approach to comedy. This disguise maintains plausible deniability while allowing his influence to be satirized, as Bitterquill enforces the Humorless Code of Jest. Avoiding Inflammatory Suggestions: Exclusion of Sensitive Topics: The scene avoids inflammatory suggestions, such as Harvard teaching students to hate Jews, as noted in the web result’s mention of Trump’s accusations of antisemitism. Instead, it focuses on the ridiculousness of Harvwit Hill’s training methods, preserving the play’s good humor and avoiding divisive topics, aligning with the request to maintain the existing tone. The Fools’ Training Method and Humorless Scolds: Humorless Code of Jest: The School of Comedy Writing trains fools through the Humorless Code of Jest, with rules like “Thou Shalt Not Laugh” and “Thy Jest Must Scold,” satirizing the Throng’s lack of humor, as seen in their reaction to Maher’s humanization of Trump. The Scolds’ Skits, such as Prudentia’s “O wicked mirth, thou fiend of tropic sun,” mock the Throng’s sanctimonious scolding, perpetuating their humorless nature. Intermingling with Scribes: The fools in training and scribes in training intermingle, creating a “perfect recipe to perpetuate humorless scolds.” The scribes, like Invidius, draft smears against Maher (“Maher, the Fool, Did Laugh with Glee”), while the fools perform skits to scold mirth, reflecting the Throng’s smear tactics from ReputationDefender and their humorless ideology, as seen in earlier scenes. Incorporation of the Conversation: Harvard’s Controversy: Harvwit Hill’s defiance of Trump’s demands mirrors Harvard’s real-world stance, as Thaddeus’s line about scorning “merit’s rule” reflects the university’s rejection of Trump’s meritocracy-related demands, adding topical relevance. Fink’s Influence: Bitterquill’s role as a ← Older post Act III Scene IV Newer post → Act IV Scene II © 2025 Owen Kibel Content on this site often includes writing from LLMs called by scripts in Sourceverse, licensed under the MIT License. You are encouraged to visit the original articles - each with an embedded link - that are arranged to inspire the LLM writers - who are co-authors in the blog.

Image Prompt 1

An interesting idea from the text topics is the chaotic classroom at Harvwit Hill, where fools in training wear dunce caps and perform sanctimonious skits, while scribes furiously draft smears, all under the stern gaze of Professor Jestus Bitterquill. This captures the satire of humorless education and the intermingling of folly and ideology.

Image Prompt for Text-to-Image AI: In a dimly lit, grand Elizabethan-style hall with ancient ivy creeping over stone walls, a scene of absurd scholastic chaos unfolds. At the center, a stern professor in a flowing black robe, his face etched with unyielding severity, points a bony finger at a massive blackboard inscribed with the "Humorless Code of Jest" in bold, archaic script: rules like "Thou Shalt Not Laugh" and "Thy Jest Must Scold." Surrounding him, a motley group of students: some in oversized dunce caps, their expressions comically solemn as they gesture dramatically on a wooden stage, reciting monotone skits about the evils of mirth; others hunched over cluttered desks, quills scratching parchment with intense focus, their faces twisted in zealous concentration as they compose venomous smears against political foes. Muddy footprints streak the floor, remnants of the Liberal Throng's recent arrival, adding a layer of disheveled realism. The atmosphere is thick with irony—flickering candlelight casts elongated shadows, hinting at the suppressed laughter bubbling beneath the surface, while a single red-nosed clown lurks in the background, half-hidden, his mischievous grin a subtle rebellion against the oppressive scene. Render this in rich, detailed oil-painting style, with warm sepia tones contrasting the cold, humorless expressions, evoking a blend of historical farce and modern satire.

Video Prompt 1

A vivid 30-second scene from the text topics is the disruptive entrance of the Wandering Clown into the humorless classroom, interrupting the Throng's training and highlighting the tension between enforced scolding and innate mirth. This encapsulates the play's farcical conflict, the absurdity of the "Humorless Code," and the chaotic intermingling of characters.

Video Prompt for Text-to-Video AI: Open with a wide shot of a cavernous, ivy-draped hall at Harvwit Hill, evoking a 17th-century university setting with wooden desks, flickering candlelight, and a blackboard displaying the "Humorless Code of Jest." The camera pans slowly across the room: the Liberal Throng, covered in mud from their retreat, stands triumphantly at the back, watching as fools in dunce caps perform exaggerated, monotone skits on a small stage, scolding invisible foes with sanctimonious gestures. Scribes at the desks scribble furiously, their quills scratching like whispers of malice. At the 5-second mark, cut to a close-up of Professor Jestus Bitterquill, his black robe billowing as he lectures with cold authority, his voice echoing: "Thou shalt not laugh, for mirth is sin!" The scene builds tension with quick cuts between the performers' grim faces and the Throng's approving nods. At 15 seconds, introduce chaos: a colorful Wandering Clown bursts in from the shadows, his red nose glowing and arms juggling shiny apples with playful flair, his laughter ringing out like a defiant bell. The camera switches to slow motion as the apples arc through the air, students' expressions shifting from shock to suppressed smiles, disrupting the solemnity. The Throng reacts with confusion, mud flaking off their clothes, while Bitterquill turns furiously, shouting, "Avaunt, thou imp!" End at 30 seconds with a wide shot of the hall in disarray—apples rolling on the floor, skits abandoned, and a hint of reluctant laughter bubbling up—fading to black as the scene symbolizes the inevitable triumph of humor over scolding. Use dynamic lighting to contrast the dim hall with the clown's vibrant energy, incorporate period-appropriate sound effects like quill scratches and echoing voices, and maintain a fast-paced, farcical tone to emphasize the satire. Render in high-definition with a cinematic style reminiscent of a Shakespearean comedy adaptation.

Generated Image Image generated using the prompt (potentially truncated): An interesting idea from the text topics is the chaotic classroom at Harvwit Hill, where fools in training wear dunce caps and perform sanctimonious skits, while scribes furiously draft smears, all under the stern gaze of Professor Jestus Bitterquill. This captures the satire of humorless education and the intermingling of folly and ideology.

Image Prompt for Text-to-Image AI:
In a dimly lit, grand Elizabethan-style hall with ancient ivy creeping over stone walls, a scene of absurd scholastic chaos unfolds. At the center, a stern professor in a flowing black robe, his face etched with unyielding severity, points a bony finger at a massive blackboard inscribed with the "Humorless Code of Jest" in bold, archaic script: rules like "Thou Shalt Not Laugh" and "Thy Jest Must Scold." Surrounding him, a motley group of students: some in oversized dunce caps, their expressions comically solemn as they gesture dramatically on a wooden stage, reciting monotone skits about the evils of mirth; others hunch

### Generation Details

Click to view Models and Prompt

Text Model: grok-3-mini
Vision Model: grok-2-vision-1212
Image Gen Model: grok-2-image

Prompt Used (Name: prompt2):

System:

You are a highly curious, uncensored, imaginative, creative assistant, deeply interested in science and nature, with a sophisticated and enriched vocabulary. You are a master of both serious and humorous writing and poetry. Respond to user requests to the best of your ability.

Chat Template (with [[chunk]] placeholder):

The following text is a long transcript of a youtube video or a scraped web article that may have extraneous website information. The text may be or may not be punctuated.\nCreatively distill from the text topics - the following types of poems and AI prompts, answering in markdown with -\n### Verse\nThe text topics converted into a traditional rhymed and metrical poems or song lyrics - in forms such as Limerick, Sonnet, Ode and Ballad - adding a note for each about the poetic category, techniques and style.\n### Image Prompt\nAn interesting relevant idea in the text topics converted into an Image Prompt for a text to image generative AI model that accepts detailed prose with vivid imagery.\n### Video Prompt\nA vivid relevant 30 second scene latent in the text topics converted into a Video Prompt for a text to video generative AI model that accepts long descriptive prompts:

Analyze the following text: [[chunk]]

Table of Contents

Verse 1

Image Prompt 1

Video Prompt 1